Tập tản khúc (sanqu) đạo tình: nói hỏa hầu, kim đan, xuất thế bằng thể tài dân gian. Hiếm có trong Đạo tạng vì dùng nhạc phủ/tạp kịch điệu. Gợi đời sống phổ cập hóa Toàn Chân thời Nguyên.
Ứng dụng: 诗文集·全真散曲
道藏太平部一卷，元邓学可（或题全真道士）散曲集。以〔仙吕〕〔南吕〕〔双调〕〔正宫〕套数歌咏内丹：悟明心地、含光守虚极、玉炉配阴阳、进火透双关入泥丸、金液还丹与黄芽白雪；力斥伪师狂言，强调调息绵绵、意固丹田、锁意马心猿、九还七返。末套「撇罢是和非……俺这里无名无利都参破」更把全真乐道与鄙弃名利结合，是元代全真内丹入曲的代表。
⚡ Ứng dụng: 借散曲记诵内丹节次：调息固丹田、配坎离、进火退符，并自警勿贪伪师与名利。
🔗 Liên quan: 鳴鶴餘音；全真集玄祕要；紙舟先生全真直指
The text proves that forced spiritual ambition violates the Dao: collections under the banner of 自然 argue that spontaneous accordance with nature outperforms contrived merit-seeking, so the logical peak of method is the disappearance of method into unforced rightness.
1) Audit practices monthly: drop any that produce pride, panic, or dependency without clear benefit—自然 as selection rule. 2) In BaZi remediation, prefer completing existing generating cycles over multi-conquest 'powerful' cures that fight the chart's grain. 3) Use soft timing: act when useful god is already rising, not when forcing against peak clash. 4) Train 'stop on completeness'—end session while still slightly underdone to avoid over-firing.
Closer in spirit to 自然齋儀's ritual minimalism but applied to literary-spiritual life rather than formal zhai. Opposes both thunder-fa maximal procedure and aggressive sexual or alchemical forcing when those lose spontaneity.