Tập chí quái Nam Tống, lấy tên từ quẻ Khuê trong Kinh Dịch «tải quỷ nhất xa». Ghi lại quỷ thần, dị tượng và chuyện tai nghe mắt thấy thời Tống, có cả truyện về Nhạc Phi hiển linh, địa chấn, luyện đan. Chịu ảnh hưởng Di Kiên Chí nhưng quy mô nhỏ hơn, mang tính kiến văn đương thời rõ.
Ứng dụng: Chí quái Nam Tống, văn hóa tin dị, so sánh với Di Kiên Chí
南宋郭彖撰，六卷（一作五卷）。书名取《周易》睽卦「载鬼一车」之义，专记鬼神荒诞。内容多南宋见闻：幽冥、精魅、报应、乱世鬼魂。核心象征是「睽」——乖离非常，鬼物满车；方法为亲旧传说的笔录，语气较《夷坚》收敛而主题集中于「鬼」。术语：载鬼一车、幽明。本质是南宋以《易》象命名的专题鬼书，反映战乱后幽明想像的密集化。
⚡ Ứng dụng: 专题研究南宋鬼故事与乱世幽冥想象时与《夷坚》对读。
🔗 Liên quan: 《夷坚志》《续夷坚志》《鬼董》
It proves—via the Yijing image of 睽 (opposition/misalignment) and the “cart” of travel through difference—that estrangement, omen, and journey are linked: when human paths diverge from harmony, the world answers with estranged signs. Recording those signs trains readers to detect misalignment early.
1) Mark pillar boundaries (especially year/month changes) as high-watch intervals for decisions and rituals. 2) Interpret relationship clashes as 睽: misaligned seeing; prescribe concrete re-alignment acts (communication timing, spatial fixes). 3) For travel years, raise the weight of environmental and spiritual hygiene in advice. 4) In cultivation, use opposition periods for diagnosis rather than forced breakthrough. 5) Log “estranged signs” (repeated mishaps, uncanny repeats) as early indicators of structural offset in the chart’s active layer.
Unlike generic ghost books, 睽车志 carries an explicit Yijing conceptual hinge—opposition as the logic of the strange. It is more thematically tight than 广异记’s sprawl and more omen-psychological than 星历考原’s calendrical reconstruction. It bridges classic hexagram thought and Song zhiguai narrative.